INFRA-ART spectral data collections: watercolors

by Ioana Maria Cortea — Last updated on October 22, 2025 — Reading time: 10 min

The INFRA-ART Spectral Data Collections is a blog article series that highlights key groups of art-related materials represented in the INFRA-ART Spectral Library. Each article focuses on a specific material category—examining its composition, technical details, and history of use—while also showcasing the spectral data collections available within the INFRA-ART database. By connecting material knowledge with accessible spectral reference data, the series aims to support research, education, and interdisciplinary engagement across the cultural heritage field.

Watercolor is among the most familiar and widely practiced painting media, yet its material behavior is uniquely complex — highly responsive to light, moisture, paper chemistry, and pigment composition. Unlike opaque paint films, watercolor layers remain transparent and comparatively fragile, relying on the reflectance of the underlying support rather than the opacity of a binder. In technical terms, watercolor is a stain diffused into the upper fibers of paper more than a continuous film built on its surface. This makes the medium particularly suitable for spectral study: its optical response is influenced not only by the intrinsic optical properties of the pigments but also by the microstructural features of the underlying support.

Previous posts in this watercolor series examined the historical development of watercolors, from early aqueous media to the sophisticated palettes and papers of the 18th and 19th centuries. Drawing on this background, the present article introduces the watercolor collection available in the INFRA-ART Spectral Library, developed to support technical art history, conservation research, and machine-learning–based material identification.

WATERCOLORS in the INFRA-ART Database

The INFRA-ART watercolor dataset compiles multi-analytical spectra from a wide range of historically and artistically significant pigments prepared following traditional watercolor practice. The current collection includes over 70 samples sourced from Winsor & Newton Professional Watercolour, the Cotman Watercolour series, and selected colors from Winsor & Newton Designers Gouache. Representing one of the most widely used commercial systems in contemporary artistic practice, these materials encompass a broad spectrum of pigment types—traditional earths, mineral-based blues and greens, historical and modern organics, synthetic azo and quinacridone pigments, phthalocyanines, cadmiums, cobalt colors, and mixed formulations characteristic of commercial watercolor production.

Prepared according to standardized watercolor procedures, these samples capture the full diversity of watercolor optical behavior, including highly transparent washes, semi-opaque formulations, and fully opaque gouache paints. Because each formulation reflects not only pigment identity but also manufacturing variables—such as pigment particle size distribution, proprietary binder proportions, and additives influencing flow or opacity—the collection provides insight into the material complexity of contemporary watercolor systems.

At present, the database includes ATR-FTIR and XRF datasets for all samples, enabling correlation between molecular/binder signatures (via ATR-FTIR) and elemental pigment composition (via XRF). These datasets offer reliable foundations for pigment identification, mixture analysis, and comparative studies across professional and student-grade formulations. Additional Raman spectroscopy and SWIR reflectance data are planned for future expansion, with ongoing updates to broaden both chromatic coverage and analytical completeness.

Watercolor samples and available spectral data in the INFRA-ART Spectral Library

Professional Watercolor

Sample nameColor IndexSample IDSupplierSpectral data
Alizarin CrimsonPR 83WN0101004Winsor & NewtonFTIR, XRF
AureolinPY 40WN0101016Winsor & NewtonFTIR, XRF
Burnt SiennaPR 101WN0101074Winsor & NewtonFTIR, XRF
Cerulean BluePB 35WN0101137Winsor & NewtonFTIR, XRF
Chinese WhitePW 4WN0102150Winsor & NewtonFTIR, XRF
French UltramarinePB 29WN0101263Winsor & NewtonFTIR, XRF
Ivory BlackPBk 9WN0101331Winsor & NewtonFTIR, XRF
Lemon YellowPY 53WN0101347Winsor & NewtonFTIR, XRF
Olive GreenPY 65 + PB 15:6 + PR 101WN0101447Winsor & NewtonFTIR, XRF
Payne’s GrayPB 15 + PBk 6 + PV 19WN0101465Winsor & NewtonFTIR, XRF
Permanent RosePV 19WN0101502Winsor & NewtonFTIR, XRF
Permanent Sap GreenPG 36 + PY 110WN0101503Winsor & NewtonFTIR, XRF
Raw SiennaPY 42 + PR 101WN0101552Winsor & NewtonFTIR, XRF
ViridianPG 18WN0101692Winsor & NewtonFTIR, XRF
Winsor BluePB 15WN0101707Winsor & NewtonFTIR, XRF
Winsor RedPR 254WN0101726Winsor & NewtonFTIR, XRF
Winsor VioletPV 23WN0101733Winsor & NewtonFTIR, XRF
Winsor YellowPY 154WN0101730Winsor & NewtonFTIR, XRF
Yellow OchrePY 43WN0101744Winsor & NewtonFTIR, XRF

Cotman Watercolor

Sample nameColor IndexSample IDSupplierSpectral data
Alizarin Crimson HuePR 206WN0301003Winsor & NewtonFTIR, XRF
Burnt SiennaPR 101WN0301074Winsor & NewtonFTIR, XRF
Burnt UmberPBr 7 + PY 42WN0301076Winsor & NewtonFTIR, XRF
Cadmium Orange HuePO 43 + PY 83WN0301090Winsor & NewtonFTIR, XRF
Cadmium Red Deep HuePR 188 + PR 254WN0301098Winsor & NewtonFTIR, XRF
Cadmium Red HuePR 149 + PR 255WN0301095Winsor & NewtonFTIR, XRF
Cadmium Red Pale HuePR 255 + PY 65WN0301103Winsor & NewtonFTIR, XRF
Cadmium Yellow HuePY 65 + PY 97WN0301109Winsor & NewtonFTIR, XRF
Cadmium Yellow Pale HuePY 175 + PY 65WN0301119Winsor & NewtonFTIR, XRF
Cerulean Blue HuePB 15WN0301139Winsor & NewtonFTIR, XRF
Chinese WhitePW 5WN0301150Winsor & NewtonFTIR, XRF
Cobalt Blue HuePB 29 + PW 5WN0301179Winsor & NewtonFTIR, XRF
Dioxazine PurplePV 23WN0301231Winsor & NewtonFTIR, XRF
EmeraldPG 7 + PY 175WN0301235Winsor & NewtonFTIR, XRF
Gamboge HuePR 209 + PY 150WN0301266Winsor & NewtonFTIR, XRF
Hooker’s Green DarkPB 15 + PG 7 + PY 139WN0301312Winsor & NewtonFTIR, XRF
Hooker’s Green LightPB 15 + PG 7 + PY 139WN0301314Winsor & NewtonFTIR, XRF
Indian RedPR 101WN0301317Winsor & NewtonFTIR, XRF
IndigoPB 15 + PB 29 + PBk 7WN0301322Winsor & NewtonFTIR, XRF
Intense Phthalo BluePB 15WN0301327Winsor & NewtonFTIR, XRF
Intense Phthalo GreenPG 36WN0301329Winsor & NewtonFTIR, XRF
Ivory BlackPBk 9WN0301331Winsor & NewtonFTIR, XRF
Lamp BlackPBk 6WN0301337Winsor & NewtonFTIR, XRF
Lemon Yellow HuePY 175WN0301346Winsor & NewtonFTIR, XRF
Light RedPR 101WN0301362Winsor & NewtonFTIR, XRF
MauvePR 122 + PV 23WN0301398Winsor & NewtonFTIR, XRF
Payne’s GrayPB 15 + PB 29 + PBk 7WN0301465Winsor & NewtonFTIR, XRF
Permanent RosePV 19WN0301502Winsor & NewtonFTIR, XRF
Prussian BluePB 27WN0301538Winsor & NewtonFTIR, XRF
Purple LakePV 19WN0301544Winsor & NewtonFTIR, XRF
Raw SiennaPR 101 + PY 42WN0301552Winsor & NewtonFTIR, XRF
Raw UmberPBr 7 + PY 42WN0301554Winsor & NewtonFTIR, XRF
Rose Madder HuePR 206WN0301580Winsor & NewtonFTIR, XRF
Sap GreenPG 36 + PR 101 + PY 139WN0301599Winsor & NewtonFTIR, XRF
SepiaPBk 7 + PBr 7WN0301609Winsor & NewtonFTIR, XRF
TurquoisePB 15:3 + PG 7WN0301654Winsor & NewtonFTIR, XRF
UltramarinePB 29WN0301660Winsor & NewtonFTIR, XRF
Vandyke BrownPBr 7 + PR 101WN0301676Winsor & NewtonFTIR, XRF
Viridian HuePG 7WN0301696Winsor & NewtonFTIR, XRF
Yellow OchrePY 42WN0301744Winsor & NewtonFTIR, XRF

Designers Gouache

Sample nameColor IndexSample IDSupplierSpectral data
Alizarin CrimsonPR 83WN0605004Winsor & NewtonFTIR, XRF
Bengal RosePR 169WN0605028Winsor & NewtonFTIR, XRF
Brilliant Red VioletPV 1WN0605050Winsor & NewtonFTIR, XRF
Cadmium LemonPY 35WN0605086Winsor & NewtonFTIR, XRF
Cerulean BluePB 35WN0605137Winsor & NewtonFTIR, XRF
Cobalt BluePb 28WN0605178Winsor & NewtonFTIR, XRF
Cobalt Turquoise LightPG 50WN0605191Winsor & NewtonFTIR, XRF
Perylene BlackPBk 31WN0605505Winsor & NewtonFTIR, XRF
Prussian BluePB 27WN0605538Winsor & NewtonFTIR, XRF
Rose TyrienPR 173WN0605593Winsor & NewtonFTIR, XRF
UltramarinePB 29WN0605660Winsor & NewtonFTIR, XRF
Zinc WhitePW 5WN0605748Winsor & NewtonFTIR, XRF

How to cite this resource

Cortea, I.M. (2025, Oct 22). INFRA-ART spectral data collections: watercolors. INFRA-ART Blog.


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